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Refuso IV · winter 2028
Numero Zero IV

scroll: the zero opens

Refuso IV · winter 2028

Digital that wants to be touched

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Editorial

This Refuso started from a simple : why do people who work with screens keep coming back to paper? Photocopies, mimeographs, hand-folded zines: the community talks about them more than .

We asked for works you can touch even when they are made of pixels. We got cardboard sounds, videos projected on crumpled sheets, websites to through and origami written in code.

Every misprint here is on purpose. Or almost: if you find one that does not fix itself, to us.

— The editorial team

The misprints fix themselves when they reach the middle of the screen, or when you hover them. Some open a note alongside.

The works

8 works, 8 authors

Drag the works. Open one to look closer.

By technique

(01)

Publishing

Folds, Website to flip

(02)

Objects

Paper that sounds, Generative origami

(03)

Risograph

Folds

(04)

Collage

Copy of a copy

(05)

Zine

Copy of a copy

(06)

Sound

Paper that sounds

(07)

Video

Paper screen

(08)

Installation

Paper screen

(09)

Print

Pixel mimeograph

(10)

Pixel art

Pixel mimeograph

(11)

Web

Website to flip

(12)

Animation

Run

(13)

Illustration

Run

(14)

Generative art

Generative origami

In register

A risograph prints one colour at a time. Scroll: the red and the black of “Paper screen” come back into register.

Who made this Refuso

  • Stamperia Notturna
  • Cartaccia
  • Tommaso Rinaldi
  • Lia Ferri
  • Ciclostile
  • Margine
  • Nina Corsi
  • Giulio Bencini

Laid out by the editorial team, printed (his own way) by Stampino.